A Fantasy Author's Adventures in Fiction & Life

Tag: author platform for fiction writers

Becoming an Indie Author (Part 2: Book Launch)

Having covered the steps of the editing process, book covers, getting set up on stores or choosing distributors in this blog, it’s time to talk indie book launch tips. On to self-publishing step 8!

8. Book Launch

Set Up Pre-orders

You may want to set up pre-orders (especially for a book 2 or later, in which case do so before you publish book 1, so book 2’s preorder is in book 1’s back matter when its first published). You’ll also need a pre-order if this is your first book, as you can’t set up author profiles or put your book on review sites to start gathering reviews until you have a purchase link.

This can take the pressure off leading up to launch today, because setting up the pre-order means having the blurb, keywords, categories, meta data and price set on retailers well in advance. (Uploading all this stuff for stores is unpacked in step 12 below). Having a pre-order also means you can share a purchase link when you do your cover reveal on social media and in your newsletter, and other social media posts leading up to launch day.

Book Links For Pre-orders. Bookstoread will create a link to a page displaying icons linked to your book’s page on each retailer your ebook and paperback are available at. If you also want to provide links for people to add your book to their digital TBR, I suggest creating a book page on your website. Then readers can have the choice to buy and or TBR your book, and a chance to sign up to your newsletter, or to follow you on Goodreads/ Bookbub etc.

Note: I’ve had issues with adding some book links, while others have disappeared after I added them to BooksToRead. So if you use it; monitor it! Check all your links are still there and still working.

Grow Your Newsletter

Consider newsletter swaps with writers in the same genre, writing for the same audience age. Building your list means more people to tell when your book drops. Your reader magnet can get its own landing page on BookFunnel, where you can join group promos (this is a monthly/ annual subscription service). I suggest choosing the promos with the most participants in your genre. This maximises your chances of the download page with all participating author’s reader magnets getting you the most amount of sign ups. (2026 update: this has got pricier and fellow indies still using it tell me they’re getting less sign ups for their money.)

Story Origin (another monthly/ annual subscription) is another good site for swaps directly with other authors. In a swap, each author displays the reader magnet’s cover, a short blurb and link in their newsletter, instead of linking a group landing page image, from which they have to choose to click your book, not everyone else in the group promo’s. The only downside her is last I used them (2023?), they had few authors in my genre with under 500 subscribers. That meant few people with similar size lists likely to swap with me.

Crave Books Giveaways is a one off (or very occasional, likely with different book 1’s) option. But it gained me more subscribers by adding my ebook to a 9 fantasy ebooks giveaway (to which Cravebooks added paperback copies of the Stormlight Archives) in Dec 2024, than I’d gained from Bookfunnel in a year. If you only pay for one thing to grow your newsletter; choose this one!

Also: Keep Subscribers Engaged. Here’s some content ideas from Bookfunnel to help with that.

Multi-Author Promotions

The easiest and free way to do this is to have your books on Itchio and join a (temporary) Itchio Book Bundle, the latter via Discord or Bsky Social.

Resources: Designing Your Own Virtual Book Tour Basics.

Reviews and Blog Tours

Reviews don’t just show potential readers what they may enjoy about your book, getting enough of them makes you eligible to be featured on Bookbub. But don’t pay for reviews. That can get you in hot water.

The alternative I’m finding works well is blog tours. This isn’t paying for reviews, its paying for a tour organiser to make your book accessible to reviewers and or book bloggers, and for your book (and sometimes you as an author) to be featured on blogs and or social media.

Which tours are worth the cost? I’d say the ones that get reviews, though reviews may not be guaranteed. Rachel’s Resources has been recommended to me by indies who were happy with reviews they received. Itsy Bitsy has landed me between 19-30 reviews on Goodreads and Bookbub for my first two books and I was very happy with Colleen (the organiser, who runs a tight ship).

You can put your book on Netgalley (I haven’t tried that), Book Sirens (I got one reader & review), or Booksprout (dito). But honestly, I suspect posting on your social media -for free!- is better value. Especially if you set up a direct store on something like Payhip, which lets you hide the ARC copy page from public view. Then you can send ARC reviewers found on social media a link to that page for them to download your book, without using a paid service.

Promotion Sites & Paid Newsletters

Check out platforms which host giveaways, or promote books. Group giveaways are a good way to grow your newsletter or Bookbub following, depending which of the two readers are required to do to enter the giveaway. Sites like BookSweeps or Prolific Works may help.

First: ensure that your cover is genre-appropriate and looks good at thumbnail size, the size it will most commonly display at online, where you’ll get most of your sales. Again: I suggest asking people publishing in a similar genre what they’ve had success with. Or reading this post of paid newsletters Nicholas Erik has had good experiences promoting a range of genres in.

Advertising

To put it bluntly, paid advertising offers many ways to set your money on fire. Step one to avoid that seems to be take a course, and or research articles or read books, before spending money you don’t intend to lose on paid ads. Even then, paid advertising on any one platform another indie author swears buy may yield you little. In other words; think of advertising as a gamble that may or may not pay off.

Measuring Sales
Book Report is handy for this. I’ve heard it can report sales data faster than DraftToDigital does. It will report for up to 10 stores, so may be worth paying for if your book is available in quite a few stores. (2026 Update: due to reasons discussed in the distributor section of Part 1 of this blog, I’m about to downsize to just Kobo, Itchio and my direct store, so I won’t bother with it.)

Press Kit
This is a means of making your key site and book links easily accessible to bloggers, the press etc. Though I find most bloggers want links pasted directly into their form, and you have to keep updating your Press Kit page, should you have one. So consider whether you intend toctively seek interviews, and whether its worth creating and annually (at least!) updating this page.
For an example press kit, see mine.

Marketing Resources

Wide for the Win is a great starting point for publishing wide (beyond only evil Amazon).

Free Courses: Starting From Zero, with David Gaughran.

Google Air, free Google add workshops (you have to register using your Google account.)

Wondering about sales trends? K-lytics is a handy (free) blog to follow, though their paid services are expensive.

9. Set up Author Profiles/ your Book on; Goodreads, Bookbub, Storygraph etc)

To seek reviews, you need an author profile and your book’s information up on review sites. Your book needs to be on sale or available for pre-order to do this. For Goodreads, you have to add your book to Goodreads first, then you can claim your author profile. This is worth doing early on, as reviews can be uploaded to Goodreads BEFORE launch day.
Tip: get your betas to add their reviews when they finish reading your late draft.

On other sites, you simply need to sign up, add a purchase link for your book, a profile photo, fill in your bio etc. I suggest using the same profile photo and short bio for all of these sites, your website, social media etc., so people you ‘meet’ on any digital space recognise you on others.

If you seek ARC reviewers, I suggest giving them your Goodreads, Bookbub, Storygraph (and any other) profile links, and encouraging reviews on all three+. Remember: Bookbub reviews may one day help you become eligible for a coveted Bookbub feature.

I have author profiles set up on Goodreads, Bookbub and Storygraph —which recently affiliated with Canadian-Japanese store Kobo. (The Goodreads link above is to instructions to set up your author page while the Bookbub and Storygraph links take you to the sign-up pages for those platforms).

10. Update your Socials

Now is a good time to put a book banner on your website’s header and a cover, blurb and pre-order or purchase link front and centre on your website’s home page. It’s also a good time to place a book banner as your social media cover image, and to do and pin a post about your upcoming release (this may be your cover reveal).

2026 Updated: is this even a thing for indie authors? Or newbies?

A ‘street team’ for a traditionally published author may be a large group of people excited about the upcoming book, formally organised on a Discord server, or other digital space. It probably has an application form to join and hundreds of applicants. It will definitely be an organised group effort to ‘generate hype’ about the upcoming book, via its members doing social media posts about the book, ARC readers posting their reviews etc.

As an indie author you may struggle to get ARC reviews. Let alone people happy to organic post your cover reveal, or do social media posts to hype your books. I’ve never bothered with a ‘Street Team.’ I just do my cover reveal, pitch my upcoming release in some Bsky Pitch Parties for more eyes on posts, then do a launch day post. I rely on the generosity of whichever of my followers see them to repost.

Blog Visibility

I’ve heard that blogging is more useful for promoting non-fiction books, and may have little impact with fiction. But my first interview was met with a detailed reply from someone I didn’t know on social media, who read and enjoyed the interview. Blog reach may be small, but a few indies I are interviewing each other about writing, life and their books. Again, ideally the people you interview and are interviewed by, write similar books and have a similar audience to you, the goal being getting your name and book’s existence out there and helping them do the same. Should you find interviews!
Nightbeats can be a good place to look.

12. Format Your E-book
(+paperback if applicable)

Paperback

Perhaps ironically, I found formatting paperback (in Word) easy. You choose your paper size (I chose 5.5 by 8.5 for my YA Fantasy, a common size), set your margins (do this early because when I changed them last, Word re-inserted page numbers into the front matter). I followed Chloe Alice Balkin’s youtube tutorial, using ‘layout,’ ‘page breaks’, ‘next page’ to add page-number-free front matter, created styles in Word for front matter, back matter, titles, chapter headings, chapter header art, dingus and for body text.

Then I saved the Word doc as a pdf and the book was uploaded.

If you do have issues with formatting styles in Word not styling;
-Remove formatting from the offending section.
-Copy the whole book into a new Word doc.
-Then format again. This should work!

Ebook Formatting (in Word)

This I found fiddlier. If you format a paperback yourself in Word, mistakes can insert random blank pages throughout the book, or splice content across pages.

Don’t

-Hit ‘enter’ for page breaks (your book may format without page breaks, and for multiple pov books this will present to readers as head-hopping.)

-Let Word generate a Table Of Contents for you (there are many ways this can go wrong).

-Leave any images without a style (my chapter header images were displayed on separate pages to chapter headings when I converted to epub because of this).

Do

Use a tool to do the formatting for you. Reedsy’s tool is popular. Draft2Digital will format your book for you (though check it, as it couldn’t handle the chapter header art in mine). If you’re a Mac user willing to pay a one off fee, Vellum is very popular (no, I’m not an affiliate for them or anyone else linked in this post).

OR Use a Style Guide. Smashwords Style Guide is good, but wordy.

Formatting In Word
-Use styles for EVERYTHING (headings, copyright page, all images, body text etc).

-If you’re wide, upload your interior file everywhere at the same time. Some may pick up issues other’s don’t. So cross-checking issues each distributor and or store spots, then making final tweaks, can spare you additional formatting edits.

get proofs for every format on every store/ distributor to ensure they turn out ok. (Kobo converted my Word doc to epub without mishap, but Draft to Digital had one issue throughout, while the Smashwords epub conversion was so bad that I converted the epub myself (using Convertio).

Front Matter Tips

-Keep it short so readers can get to the book and the online look inside feature shows the opening pages.

-Look at the copyright notices of other indie books to help you phrase yours. Consider including an assertion that you do not consent to your book being used to train LLMs and asserting whether or not gen ai has been used to create your book. Also consider mentioning which spelling conventions your book uses (I assert that mine are Aussie/ UK to dodge reviews from Americans criticising my ‘spelling mistakes.’

-Mention other or upcoming titles on your ‘also by author ____’ page.
-Consider a map and or personis dramatis for epic fantasy or similar, so readers can see where things are happening and check who is who as they read. (I kept both as front matter when a reviewer said they didn’t notice the dramatis personae until the end, when it was at the end.)

Back Matter Tips

-Link to your website, newsletter sign up and if you like, your social media/ Goodreads/ Bookbub.
-You may like to politely ask for reviews, but only link to the store that copy of the book is being uploaded to. (Apple do not like when you upload competitor’s links to their copy of your book.) Better yet; link Goodreads/ Bookbub/ Storygraph and or the book’s page of your website for stores, so you can upload the same ebook file to every store/ distributor.
-Write a book 2 blurb and include in the ebook a pre-order link to book 2.

Formatting Error Checklist

Is your front matter free of page numbers?
Does your epub have random blank pages anywhere?
Are your front and back matter spaced as you wish?
Are your chapter headings (and images) spaced appropriately and consistently?
Does your back matter only contain links to that store/ your books/ Goodreads/ Bookbub/ Storygraph pages?
Does your paperback file only contain black and white or greyscale text, styles and images? (Unless you’re printing a special colour edition.)

13 Uploading your Book

Meta Data

If you’re going wide, I suggest creating a file that has all the meta data you’ll need to copy and paste everywhere you upload your book (your name, book name, genre, categories, tags/ search terms, blurb, contributors, ISBN, BISACS etc).

Choosing Categories.

Have a look at which sub-genre/ fiction headings match your book using Book Industry Study Group’s BISAC List.

Choosing Key Words
Use ‘incognito’ mode on your browser, then or your browser/ Goodreads or a store; type your genre and audience age, and see which search terms your browser suggests (popularly searched ones) and which are relevant to your book. Different stores/ distributors may allow a different number of these, so its good to build a list.

Pricing

To determine a price in any currency, this article outlines factors you may like to consider.
My best advice:
-Get on the Kobo store of each region of the world it sells to (Important NB: a reasonable $US price converts into what Brits consider to be a too-expensive UK price, so don’t just let retailers convert international pricing from US dollars, check which pricing appears reasonable by currency and national store).
-Search books of your genre and audience age and note pricing.
-Get an idea of cheap prices, moderate prices and outrageously expensive prices (you will see the latter, especially for traditionally published ebooks).
-Observe whether you think a book is indie or traditionally published and how prices vary because of that.
-Check how many pages a books has to get an idea of a reasonable price for a 70k vs. a 100k+ book.
-Choose a price taking the above and your personal publishing/ marketing goals and factors in the article linked above into account.

2026 Update: Standard indie prices for 2022 were $4.99 US for ebook novels and $14.99 for paperback. Rising print costs (an ongoing issue) tends to mean you price your books at whatever price lets you earn a dollar or 2 in profit. Meanwhile throughout 2026, I’ve seen multiple indie author conversations around increasing our prices -after all; everything else has gone up!

I now have my 100k-ish books at $6.99, and my 160k chonker at $7.99. I’m considering bringing the latter up to $8.99.

Check the profit margin in every currency. Does it leave you room to put the book on sale without losing money? In the UK, print books are so cheap that you may struggle to discount your book there and still break even. But if you aim to make the smallest of profits on every sale (as opposed to freebies), you’ll need to check regular vs. sale price profit margins carefully.

Sale Pricing

If you’re discounting your pre-orders or book, don’t just change the pricing in your author dashboard. Sale prices are entered separately, via ‘Promotions’ on D2D and Itchio, ‘Marketing’ on Payhip, etc. Remember to discount on all stores/ distributors!

Uploading

To Distributors. Before you upload your book to any distributor, be clear about which distributor you want to send your books to which retailer (or other distributor), so you don’t double up.

Upload To Libraries. If you’re American or Canadian, you can upload your books to the Indie Author Project to get your book into libraries in both countries. And yes, you’ll earn royalties -see the FAQ page.
Fellow Australian authors, we can register our books at the National Library of Australia Legal Deposit. We can register to be compensated for having our books in libraries via Australia Lending Rights Schemes, if you register your book within 5 years of its publication date.

Local Brick and Mortar Stores. Some indie stores may be willing to take your books on consignment (meaning for a set length of time, after which they’ll pay you or give you back unsold books.) When you find such stores, this is a free, and much easier option than tabling at book fairs (I’ll be blogging about this soon).

To help you prepare to approach book shops, here’s some comprehensive (UK sourced) advice on Getting Your Book into a High End Store.

14. Cover Reveal

Post your cover on your social media, share it in your newsletter and share it on any promo sites you’ve joined which feature cover reveals, such as LGBTQ+ Reads (who reveal your first 3 covers for free -if you have queer pov characters).

You may wish your cover reveal to be the first of a series of social media promo posts counting down to launch day. That could include teasers, character introductions, ARC review snippets etc, containing your pre-order purchase link.

15. Release Day

Put purchase links on your site and author profiles (if the book wasn’t on pre-order). Post your launch day post on social media (a selfie with an author copy goes down well. Interact with everyone who replies. I hope it goes well for you!

(And if you’d like to join an Author Discord to discuss any of the above, let me know by replying to my posts about it on Blue Sky on Mastodon, or via my contact page.)

Acknowledgements

I learnt A LOT of the above from conversations with and between the following indie authors:

Headshot of silver haired cheryl, with the covers of Keepers, Dragon Gift and her Middle Grade Fantasy trilogy.
Cheryl Burman, Historical and SFF author.
Website
Blue Sky Social 
Lily, poet & kidlit author
Website
Bsky
Dreena Collins
(Jane Harvey)
Website
Bsky

Rebecca Jonesee, Romance
Goodreads

Chris Vandyke, SFF Author Website

K. W. Kenny, YA Fantasy Website
Bsky

Jay Veloso Batista, Fantasy Author.
Website

Leia Talon, Fantasy author.
Website

Chloe Alice Balkin, Speculative Romance
Website

Blue edged, pink, orange and yellow rainbow scroll with text: Get blogs in your inbox & updates from Elise every second month. Join my Fiction Frolics. Select this image to learn more.

Further Reading

Just in case your head isn’t exploding with information already, there are more resources on many of the above topics on my Writers Resources Page. I’ll also point you towards a Self Publishing pro, David Gaughram.
If your head is exploding, I suggest bookmarking this post so you can revisit a few of its steps at a time.

Whichever of the above steps you’re at –Good Luck!

Becoming an Indie Author (Part 1/2)

You’ve written a book, you’re considering self publishing and wonder what it involves. In short: a lot! This post is a concise summary from editing, through navigating cover art, stores and distributors, ISBNs and author platform, with many links to tools and information to help you along the way. It contains almost everything I’ve learned from indie author discussions in a Self Publishing Twitter group (circa 2021-22) by Cheryl Burman, and what I’ve learned while self publishing my first book, with a 2026, post DraftToDigital update.

I’m Writing/ Have Drafted My Book, What Now?

1. Craft Knowledge

If this is your First book, and or you haven’t already researched how to develop your characters and plot, or read up on story structure, now is a good time! Make notes to help get your head around character development, story structure and how they intertwine. Then use your notes to write character and plot focused outlines or revision/ structural edit lists to address potential character/ plot holes in your draft.

Resources to Help: KM Weiland’s Blog Series’: Developing Character Arcs, Story Structure and Scene Structure. My own Character Development Checklist.

2. Start Building Your Author Platform: Social Media

Yes, I’m talking about social media before you’ve even edited your manuscript, let alone have a book seeking a publishing path. Why? Because it takes time to grow a following. And the writing and editing stages are great opportunities to get to know fellow writers, build friendships and learn from each other. This is also the time to begin describing interesting features of your book and start generating interest in your story!

Post about the contents and the experience (or process) of writing your book. Talk to other writers on a social media platform of your choice’s Writing Community (my favourite being Blue Sky.) Connect with people you share interests with on social media (local interests, hobbies, themes that inspired and tie in to your story etc).

To begin with —pick ONE social media you feel is a natural (or least uncomfortable) fit for you. Get comfortable calling yourself a writer there, and publicly interacting as one. (FYI: there’s no such thing as an aspiring writer. If you write —you ARE a writer!).

Experiment, and learn the ropes of your first platform. Then start on a second platform. (Unless you’re bursting with restless energy *waves* and would rather choose the chaotic path of tackling multiple things at once over the easier one (*waves again*).

[2026 Update: in the end I settled on Bsky as my main social media, Mastodon as a back up, and Discord as a good place to talk indie authoring with fellow writers, to join Itchio book bundles, etc.]

Resources: Social Media for Writers, Blue Sky Newby Guide, Diverse Bsky Guide.


3. Critical Readers

Aim to get a few beta readers if you can, to comment on how they find your characters, plot, pacing, story tension etc.

If all they say is, ‘this is great,’ I’d be asking, do my betas have the experience and ability to critically evaluate my story?
And the willingness and time to honestly comment on things they find problematic (or less than ideal) as a reader?
The communication skills to spell out how any particular aspect of my writing confused, bored or otherwise put them off?
Or do my betas think I only want encouragement (or a positivity pass), as opposed to constructive feedback to help me grow as a writer and to ensure my story is clear and engaging to unfamiliar readers?

If you suspect any of the above is an issue with one of your beta readers, I’d get another/ an extra beta reader. For my first few books, I wasn’t satisfied readers would be satisfied with my book until I’d had that rigorous critical reader who pulls me up on every potential crease, tear or hole in the reading experience —and I’ve repaired and ironed those things accordingly.

Having attempted that for Manipulator’s War, I’ve now got reviews complimenting things (pacing and characters) the reviews may have complained about, if not for my critical readers.

Resources to Help: Finding Critical Readers, Mentors & Editors.
Checklists to aid Critical Reader feedback: Chapter one, Act 1, Act 2, Act 3.
Self Editing advice: Scene & Line Edit Tips.

4. Editing

Consider your goals for this book/ series and your budget. If you can’t afford an editor, get a second round of critical readers to comment on your post-beta-edited draft. Then, if you’re happy with it —get other, sharp eyed people to proofread it.

If you can afford an editor, consider which type(s) of editing you can afford: developmental (structural), stylistic (line editing), copy editing (word level technical & factual edits) and proofreading.

Manuscript Critiques/ Reports can be pricy, but are a cheaper alternative to (prohibitively expensive for most people) developmental edits. Bear in mind, some freelance copy editors charge by the hour instead of by the word. So if you tend to write fairly clean 100k books for example (like me), paying by the hour is more affordable and better value for money.

Resources: Different Levels of Editing and Critical Reader Services by editor Amelia Wiens (who did my manuscript critique) and 5 Things Authors Need to Know Before Hiring an Editor.

5. Decide on Cover Art

In choosing an artist or creating your own cover, research current covers in your genre and audience age. You want a cover design that clearly says to the reader “this book is (insert your genre)”. You also want a design that appeals to readers of that genre in ways they’re used to seeing. Pay attention to current trends in your genre, by researching new releases and studying their covers. For example, dark covers are a thing with YA Fantasy at the movement, and if characters are on epic fantasy covers — they’ve got weapons. So my cover for Manipulator’s War is dark and features weapons.

Reference Images
These are increasingly difficult to source from human photography/ human produced art, as opposed to gen ai slop, online. A couple of sites with great (photographic) visual references to choose character poses for your artist to refer to are Adorkastock, which has some great genre specific poses for characters, and True Ref.

Gen AI
DO NOT use gen ai to accelerate climate change to plagiarise you a cover. And DO NOT use gen ai ‘art’ or ‘videos’ to promote your books. Telling me you don’t care whether I have a planet to live on is reason to block and boycott you, not read your book, even if you actually wrote that, which your gen ai cover makes many people doubt.

Get a Human Cover Artist

There are 400+ of them, verified as NOT using gen ai in their work by a team of artists, on Hire a Human Artist.

Creating Your Own Cover

Remember that you need copyright permission for the art and fonts you use.
These fonts are public domain and free on Google. You can also purchase fonts from Creative Market.

Dafont has a wide range of fonts, but be sure to check the permissions listed for each, as some are for private use only, whereas some are permitted freely for commercial use. Yet others require you to license them from the font creator.

You’ll find free public domain images on Pixaby and a range of art galleries, including; Smithsonian Open Acess and The Metropolitan Museum of Art, The National Gallery of Art, and likely more if you type ‘art galleries public domain’ as a search term into your browser.

Blurbs

Traditionally published authors will have honed their pitches near to perfection. Their blurbs will have had a LOT of critical feedback, editing by a literary agent, and possibly by an editor before a back cover exists to place those blurbs on. So for your blurbs to compete at online retailers —hone your pitch craft!

Post ask for feedback on your social media, or join an author discord (like my Writers and Authors) and ask for it there. You’ll find my best advice for writing an engaging blurb in this post.

Cover Artist

Manipulator's War Cover
Left: portrait of young Heir Ruarnon, their hair braided back, eyes outlined with kohl, wearing fitted bronze armour, a bronze disc kilt, holding a helmet in their left hand and leaning on a spear with their right, which pierces the ‘A’ in the title.
Right: Red glyphs outline a stone archway, through which fire arrows rain down on torch-lit battlements atop a castle, at night time.
Bottom text: Elise Carlson, Ruarnon Trilogy Book 1
Cover by GlintofMischief.

If hiring a cover artist, check the contract to see if you own the art, and if you need to pay the artist fees for using the art in your merchandise, on your website and in any promotional graphics you make. If you’re unsure which of multiple pieces of concept art to use for the final cover, try posting a poll on social media and or consulting your newsletter subscribers. In considering cover artists, you may also like to ask how they work, and how much your cover design can change within the negotiated price.

For example, my cover artist GlintofMischief and I built a set of Pinterest pins as well as discussing my cover (in 2022, before Pinterest was overrun by gen ai), and I reviewed multiple concept sketches before we chose (and modified) the published cover. I also chose my fonts, and designed the glyphs on the Ruarnon Trilogy Covers.

I suggest seeking a cover artist by asking fellow indie authors, though alas the phrase ‘cover art’ on Bsky tends to attract bots/ gen ai/ scammers. Try wording it creatively to thwart bots if you post publicly, or just ask on Discord, where admins like myself work hard to boot bots the moment they enter a server.

6. Choose Your Distributer(s)

2026 Edit: Do You Sell On Amazon?

I know. Not too long ago the idea of being an indie author and not having your books on Amazon was ‘unthinkable.’ And KU gets you page reads without doing anything to market your books, and most of us struggle to find time and energy to market. If Amazon’s terrible treatment of workers (in 2024 unsafe conditions, while 53% of workers experienced low-wage induced food insecurity, and yes toilet access issues in 2018) doesn’t put you off… there’s a 2026 plan to build America’s largest fossil fueled power plant -and climate change accelerator- to power their gen ai slop centre in Texas. You couldn’t find a less ethical store for trying!

Itchio Shared Marketing, Instead of KU

So I suggest adding your books to Itchio. Then you can join Itchio book bundles, and its you and 15-40+ authors marketing for together for 1-4 weeks. And when that bundle sells; all of you profit. So you’re boosting fellow indies, still getting some sales/ your book to new readers each month, and NOT giving Bezos a dime.

(Discord servers like my Writers and Authors and Bsky Social are the best place to find and enter those bundles.)

Itchio also let authors decide how much profit we keep, and how much Itchio get. I have mine set to 10% of sales for them, 90% for me (so I’m earning 20% more than is possible on Zon.)

Kobo Promos, Instead of KU

You could go direct with Canadian Amazon competitor Kobo, ask them to add the promo tab to your dashboard, then apply to have your books entered in in-house promos with a few clicks. You aren’t guaranteed to get into every promo and unlike bundles, which are virtually guaranteed to get SOME sales, you aren’t guaranteed sales. But you aren’t also guaranteed KU reads. Its still minimum effort to make your books more discoverable, and Bezos can’t profit from Kobo promos. I encourage you to think about it!

You’ll earn 70% on your sales, less below certain price points (same as Amazon), as listed on Kobo’s author royalties FAQ page.

Library Sales

Again, you could sell your books to libraries and share profits with Bezos. Or you could use Kobo Direct to distribute to Overdrive. And you could sign up to the Kobo Overdrive Promo mailing list to enter promos on the bottom of this Kobo Writing page.

If you’re in the US or Canada, you can also submit your book to the Indie Author Project, which may see it reviewed and selected by editorial boards for libraries in your state/ province.

Draft To Digital 2026 Update

The original version of this blog talked about Kindle Unlimited, or using Draft to Digital to also distribute your ebooks to other ebook stores, for a 10% fee, for having one dashboard to upload to and manage sales on many stores. D2D use Ingram Spark’s global print distribution, which I prefer to the Ingram Spark (direct) dashboard.

BUT… in 2026 D2D have introduced a $20 sign up fee. (Fair enough, UK company Bookvault, who print and distribute my paperbacks for direct sales have that too.) But they also decided that if you don’t earn $100 gross profits through your wide distribution annually, they’ll charge you an annual fee of $12 US. The problem with that fee is it applies to around 70% of (the many) indie authors I know, and it includes me too. (My Bsky thread asking people about this.)

And if you’re thinking, oh, but I could earn $100 gross profit from D2D stores! note that I don’t because D2D is around 5-10% of my author income.

So for many indie authors, D2D is no longer a way to distribute to Kobo, Barnes & Noble, Apple, Bookshop.org, Hoopla or Smashwords. Unfortunately, Smashwords is now fully merged with D2D, so you cannot go direct with Smashwords. There’s also no option to go direct with Bookshop.org or Hoopla.

Draft To Digital Alternatives

Going Direct

You can go direct with Kobo, Apple and Barnes and Noble. Though you need to give Apple a physical address -not a P.O Box. And Barnes & Noble only pay in US dollars (not great for those of us not in the US.) And for every store you go direct with, that’s another store to update front and back matter or covers with, and another store you’ll have to set up every discount sale you run on. That was the advantage of D2D; ONE dashboard to update your books and run most of your sales. (Itchio and direct sales are my only stores I can’t do that for on D2D.)

Your Own Direct Store

Why give other stores 30% profit from every ebook sale when you can claim around 90% -deductions from that being payment processor and other fees, as opposed to a store claiming a cut? Setting up my direct sales on Payhip in 2025 was fairly straight forward. As was setting up paperback printing on Bookvault and linking Bookvault to Payhip, so I can sell both ebooks and paperbacks on Payhip. Payhip emails my ebooks, and Bookvault prints my paperbacks in Australia/ US/ UK/ Canada, and arranges postage.

Yes, your own store won’t have existing customers, like other ebook stores. So link it your social media bio. Link your direct store, and then an-all stores link to every social media post about your book. Make it easy for anyone your marketing efforts reach to buy from you directly. I’m noticing people on Bsky Social are increasingly willing to do so; if you persuade them to want your book.

Other Distributors

XinXii (European, just to be confusing) seems to be the only free to play alternative to D2D. Aside from a handful of European countries (Norway being the biggest), Paypal is the only payment option for XinXii. 20 Euros in earnings is the payment threshold to get paid at. They claim 30% of your net price, and 60% for books priced under 3 euros.

Worth noting; XinXii is ebook only, not paperbacks.

Ingram Spark
As mentioned above, I found their dashboard a PAIN. But their have a good global distribution network for paperbacks, for which you will need to supply your own ISBN.
Bonus: in February 2026 they waived their paperback book set up fees.

Resource: Why Ingram Spark expanded distribution for print books is preferable to Amazon’s, including ISBN advice, by Eric V. Van Der Hope.

Non Options/ Pay to Play
Publishdrive is $100 a year (and I hear their reporting on sales is SLOW.)
StreetLib is $99 a year. (StreetLib used to have a free tier, but that seems to have been partially hidden on their website, then removed entirely for new authors when D2D introduced their annual fee.)

Both the above are annual prices, period, whereas D2D is $12 annually if you don’t earn $100 gross annually. So I don’t recommend Publishdrive or StreetLib for new indie authors.

Imprints: do you Need or Want One?

Some stores will display a publisher name. Discrimination against indie authors is reducing over time. Perhaps people realise that there are far more stories available than literary agents to represent them, or that just because a publisher can’t make enough $ for a book to be worth their time, doesn’t mean it isn’t a great book for a smaller and thus not so profitable audience.

You could list your own legal name as who published your book. Or you can create a press imprint.. Mine is Faraway Fiction Press. I’ve registered it as a business name with the relevant Australian body for tax purposes and it has its own website (to reserve and link the .com domain name to my books).

Resource: For info on the benefits of having your own press, see this post by David Wogan.

ISBNs: Do you Need or Want them?

Many retailers offer a free ISBN, which can only be used for your book at that retailer. If you’re going direct to multiple retailers, this means a lot of ISBN numbers on your copyright page. Buying your own and having a single ebook, a single print and if you do audio, a single audio book ISBN per book may be simpler. (Yes, each format requires a different ISBN.)

The good news is ISBNs are free if you’re in Canada, or New Zealand. And you can buy around 10 for $80 Australian (unfortunately they’re FAR more expensive in the US.) Bowker is who to buy them from if you’re in Australia or the US. Nielsen is for the UK.

National Book Deposits & Library
Re-imbursements

Adding this section in 2026, as over 5 years I’ve self published 5 books and… only deposited one of them at my (Aussie) National library, which is a requirement in Australia. So I suggest checking if your country/ state also has that requirement. (Here’s the Aussie link for that.)

It’s also worth checking, if you do distribute to libraries, if your country has a government grant to compensate authors for our books being read in libraries. (Here’s the Aussie Lending Rights link.)

7. Extend your Author Platform

Website

I suggest setting this up after social media because imposter syndrome is real. Hopefully, having been on social media and presented as a writer for at least a few months (I was on social media over a year before I took this step), you will find it more natural to write an author bio and present yourself professionally as an author on your site. Blogs are optional and of course take more time, but they bring a lot more traffic to your site than an author name and book title no-one has heard of -if you choose topics and titles well.

If you decide to have a blog, I recommend drafting posts ahead of time. (I teach full time, so I write most blogs in the summer holidays, then edit and publish them once a month).

Resources: Author Website Set Up Tips, Unpublished Authors and Websites by Jane Friedman, 100 Unpublished Author Blog Ideas by Mixtus Media.

NewsLetter

Once your site and social media presence are established, its a good time to think about your newsletter. If you only have time for a blog OR a newsletter, here’s a post by Jane Friedman weighing pros and cons of having only either. If you start a newsletter, you’ll need a reader magnet. A 10-20k short story, maybe the origin or background story of a central character or a subplot you had to edit out of your novel can work nicely for this.

To build your subscriber base, Bookfunnel group promos were a good option (to me in I think 2023), but in 2026 I’m hearing the prices have increased and the number of sign ups people are getting is dropping. Story Origin is a good option for swapping newsletters directly with other authors, when you’ve hit 500+ subscribers. (They have some smaller lists, but not many.)

Resources: Not sure what to say in your newsletter or where to promote it and how? I’ve blogged ideas in Author Newsletters: the Basics. See also Unpublished Author Newsletters by @LombardEmma.
In 2026, I use Email Octopus for my newsletters, who allow you to have 2,500 subscribers on their free plan (other competitors once listed here having since dipped to as low as 250 subscribers on a free plan.)

Part 2

I suspect that’s more than enough information to get you started, and possibly enough to make your head spin, so I’ll end this blog here. Part 2 is packed with ideas and resources for your book launch and initial marketing plan, author profiles, formatting and uploading your book and tips right up to launch day.

Acknowledgements

I learnt A LOT of the above from conversations with and between the following indie authors:

Headshot of silver haired cheryl, with the covers of Keepers, Dragon Gift and her Middle Grade Fantasy trilogy.
Cheryl Burman, Historical and SFF author.
Website
Blue Sky Social 
Lily, poet & kidlit author
Website
Bsky
Dreena Collins
(Jane Harvey)
Website
Bsky

Rebecca Jonesee, Romance
Goodreads

Chris Vandyke, SFF Author Website

K. W. Kenny, YA Fantasy Website
Bsky

Jay Veloso Batista, Fantasy Author.
Website

Leia Talon, Fantasy author.
Website

Chloe Alice Balkin, Speculative Romance
Website

Green, purple, pink and peach magic shield backdrop behind text: For blog updates (SFF, neurodivergent/ queer/ chronic illness life, writer and authoring), see my author newsletter.

Further Reading

Just in case your head isn’t exploding with information already, there are more resources on many of the above topics on my Writers Resources Page. I’ll also point you towards a Self Publishing pro, David Gaughram.
If your head is exploding, I suggest bookmarking this post so you can revisit a few of its steps at a time.

Whichever of the above steps you’re at –Good Luck!

Author Newsletter, The Basics

Unlike social media posts, your author newsletter is a direct line to people interested in hearing from you, and receiving your content. It sits in an inbox where interested people can read it a their leisure, instead of on a social media feed where it may be drowned out by thousands of posts vying for attention. Newsletters effectively reach your people, but what you can offer in yours to make it worthwhile for your subscribers?

What Should I Write About?

Imposter syndrome can hit hard when it comes to writing a newsletter, especially if you don’t have a release date for your first book yet (I would know, being about to send out my fourth newsletter, and still querying and researching self publishing, with no release date in sight yet ?). The good news is, a newsletter can be a lot more than just a means for people to learn when and where your next book is out.

In considering what to offer in your newsletter, I’d think about:
-General interests and life experiences (ones you’re comfortable sharing) which you may have in common with your readers to help them connect with you.
-Things that will make you relatable to your readers, or help them connect with you.
-Things that may entertain or educate your readers.
-Your own thoughts or experiences related to major themes in your writing, which are likely to also impact on your readers lives, or be topics they care about.

Personal/ Wip/ Book Updates

Share your personal, wip or book updates first with the people who trusted you with their email address. Give them more of the juicy details than you do on social media. Tell them the jokes or show sides of your personality that don’t fit into your social posts. Share your reflection on a life event you and your main character have experienced and your readers are likely to relate to.

Tell your subscribers how your pet’s or child’s demands for attention forced you into making productive use of what time you have to write without interruption. Think about experiences, actions and thoughts which make you human and which your readers can relate to and marry the two in your update. This is what I meant above when I said ‘things that make you relatable to your readers, help them connect with you.’

Novel Teasers

This isn’t just for published authors. If you’re editing or querying a novel, you may also want to include blurbs about your characters, settings or the struggles your characters face, to generate interest in and allow your subscribers to enter the world of your stories. This could be blurbs, or creative writing, eg. news sources or diaries ‘produced’ by characters in your fictional world.

If you commission character art or create mood boards for your book, this is a good space to show them and or cover reveals off. Again, give your subscribers the v.i.p. treatment and share these things with them first. (This being one of many reasons monthly newsletters are a good idea, as I find it impossible to tell my subscribers things first when my newsletter is only quarterly).

Reader Magnet

The thing a reader gets when they sign up to your newsletter. A common recommendation is a short story. For example, take a character’s backstory and write a short story about an episode from it. Later in a series, write a short about an event between books, or a scene after the series finishes, possibly wrapping up any final loose ends.

I know, not everyone writes shorts, but as your newsletter will appeal to people interested in your books, its worth giving them a sampler of your fiction as your reader magnet. I put off writing one for ages because I don’t do shorts, but after writing four picture books and a Middle Grade novel, I was surprised how easily I adapted my knowledge of story structure and character arcs to a 7,500 word story set before Manipulator’s War.

Alternately, or better yet additionally, you may like to use merchandise. For example, Emma Lombard created postcards using character art from her Historical Fiction debut, Discerning Grace, as a reader magnet. What digital merch could you include in a welcome email?

Blog Links

If you blog about topics like the inspiration for your books, book reviews etc, there’s a good chance your subscribers will be interested in your blogs. Sharing a concise blog blurb and a link to it lets you repurpose something you’ve already put the work in for. (I started off sharing my blog’s opening paragraphs in my newsletters, but I think a concise, personalised introduction for subscribers creates a more welcoming tone).

Interviews

These can be interviews you’ve given, or conducted. I’d consider who you’re interviewing and how the interview relates to your subscriber’s interests. For example, are you interviewing an author who writes a similar genre or themes to your books? Or sharing your interview with an ‘expert’ that you did as part of your book’s research?

Events/ Calendar

These could be events you personally are involved in. Or third party events of topical, thematic or genre interest to your readers, like festivals, readings, conferences, competitions, related identity group events, etc.

Giveaways

You might sponsor other writers giveaways and share them in your newsletter, an option for collaborative book promotion, particularly if you’re an Indie Author. A giveaway may also be merchandise (if you have it), or a query letter/ first chapter critique (especially if you’re also a freelance editor, or an agented author giving back to querying writers).

Newsletter Swaps

If you know authors writing in similar genres and audience ages, sharing a blurb and sign up link to their newsletter, and them doing the same for you in theirs, can help grow both newsletters. Bookfunnel is where most of mine came from, though I’m hearing it’s got pricy-er and you’re getting less value for it since I left in 2024. StoryOrigin is good for direct swaps with other authors, but few authors there have less than 500 subscribers, meaning you’d have few people to trade with it your list is mall. If you’re a fellow SFF writer, here’s a Facebook Group for arranging newsletter swaps.

Social Media

Your email provider probably has a footer block to add to your newsletter template, with icons to link to your social media accounts. I display this below my sign off for each newsletter, to make it easy for my subscribers to visit my social media. I also link my website.

How Often Do I Send it?

The most common recommendation I’ve heard is monthly. Often enough for people to remember who you are, what you’re about and to eagerly open your newsletter. I started with quarterly because I had too many balls in the air to manage monthly newsletters as well, then moved to every two months in the lead up to my debut’s release. This is how often I feel I have something of personal and bookish of interest to say, and is often enough to share two blogs each time.

How to Design & Write My Newsletter?

Read Examples

Before designing yours, I suggest (if you haven’t already), subscribing to the newsletters of a few writers you know (including some same genre authors). Look at what they include in their newsletters, how their content is organised, but also their presentation, tone etc. Consider what will suit your personality/ brand and your goals in designing and selecting content for your newsletter.


My favourite author newsletters are by Emma Lombard (Historical Fiction Author) for her personable tone and bookish content (you can read her January newsletter here). And Rue Sparks (Magical Realism, Mystery, Spec. Fic. Author), who illustrates what I mean when I talk about personal reflections on topics in this newsletter. If you’re wondering what my attempts to do the above look like, my November newsletter gives you a good idea.

Branding

If you haven’t looked into branding yet, the main thing to bear in mind here is using consistent fonts and consistent colour schemes across your site and newsletter, and for any promo graphics you make which include text. You may also like to design your own newsletter graphic to promote your NL on your site, socials etc. I use the image on the right (made on canva) as my email header. It has the same font as the titles of my Ruarnon Trilogy.

Green, purple, light and dark blue, pink and peach magic shield backdrop (by Lawrence Mann) behind 3 images: An inked sailing ship with waves at its prow, by GlintofMischief. Text: Fiction Frolics, by Elise Carlson. Headshot of blue eyed Elise: short curly light brown hair, pale face, round smiling pink cheeks, small mouthed smile and black topped, bottom white frame glasses. Background, native Australian white trunked gum trees.

Personal Style

This is something to consider throughout your entire newsletter.
What style of writing suits your personality and how you want to interact with your subscribers? How does your newsletter style compare to your books and their tone?

Are you aiming to invite readers to connect with you, to entertain them, to inform them and or to educate them in some way? What type of tone best suits your style and that purpose/ those purposes?

I’m Aussie, and we tend to be blunt, so my newsletters (like my blogs) speak quite directly. Entertainment isn’t my main goal, but I like to include some humour and show some personality in my personal updates, to make them an enjoyable read. My blogs aim to share my learnings as a writer and to help fellow writers on their journeys (which will shift gears to focus more on potential readers when I prepare to publish my first book). So at the moment, my blog and external resources sections aim to help writers (when my blog focuses on readers, this purpose/ aim will also include entertaining, connecting with and engaging readers.)

As you figure out your style, tone and purpose, you may also like to consider:
What do you want your reader to feel as they read your newsletter? How do you want them to respond to it? How can you style and structure your newsletter to meet those aims?

Voice

If imposter syndrome is on your back, and or you don’t think you’ve found your author platform voice yet, I suggest trying blogging before drafting a newsletter. Chances are your blog readers aren’t signed up to your blog. They haven’t made a commitment to you, so you’re under less pressure on a blog. And you’ve got space to practice writing longer-than-social-media messages to your readers, in your author voice.
It took me around six or seven blogs before I felt comfortable drafting a newsletter. My blog is where I’ve experimented with and developed my newsletter voice, developed my non-fiction writing style and played around with how to use those to connect with my readers, and to entertain and help them. I suggest experimenting with all that on your blog. And installing a page visit counter to see which blogs and styles are getting the most reads, and considering what worked well with your blog when writing your newsletter.

Developing a blog (and sharing it on your social media) gives your potential newsletter audience a chance to sample your content and realise that they may want to sign up. Alternately, giving your blog readers the chance to subscribe directly to your blog opens up a line of communication with people who don’t want to subscribe to your newsletter.

Mailing List Providers and Set Up

Which Mailing service provider should I use?

In 2026: Mailchimp is only free up to 250 subscribers. (It was 2000 in 2020, so I assume it will be zero subscribers soon.) Mailerlite is free up to 500 subscribers (It was 1,000 in 2020.). Kit has a free plan for up to 10,000 subscribers. I use Email Octopus, which has a free plan up to 2,500 subscribers.

What Does a Mailing List Do?

If the term ‘mailing list’ is new to you, you may be wondering what’s physically involved in setting up your newsletter and mailing list, so I’ll unpack that. Whether you set up a sign up form on your site or on a landing page via your provider (more on sign ups below), once someone signs up to your newsletter, your provider will store their emails on a list. From there, it will provide you with newsletter templates. If the templates aren’t much chop, you should have the option to add content blocks of your choice from a menu. When your newsletter is finished, you can send it to everyone on your list via your provider.

Where do I send Emails to my List From?

Not your personal email account. Attempting to do this can cause tech issues (yes I know people who’ve tried it and had a lot of trouble). Most website hosts offer an email account to match your site, yourname@yoursite.com, which looks more professional and doesn’t have those issues.

Which Emails Should I Set Up?

I recommend setting up an automated welcome email, thanking subscribers for signing up to your newsletter and stating its name. If your name isn’t clear in your newsletter title, I’d state your name too, so people know who’s speaking to them and that their sign up was successful. If you’re using Mailchimp and can only set up one automated email, I’d include your reader maget in this welcome email.

Then I suggest creating (and saving) a template for your regular newsletter. If you save it as both an email and a template, you can use the template (with your choice of fonts, colour schemes etc) to populate next month’s newsletter.

For more comprehensive newsletter set up tips, I recommend buying Newsletter Ninja.

Where Do I Promote My Newsletter On My Site?

If you have a single page site, at the top (for attention) or bottom of that page (by then, people will have some idea of what they’re signing up for, from your homepage’s content).

If you have a multi page site and no blog, you may like to put your newsletter blurb and sign up form on your contact page. However, if your contact page also includes your social media and or is crowded (like mine), its worth giving your newsletter its own page, mine being here.

The advantage of a newsletter-only page is that you can link your newsletter sign up directly to your social media bio, as well as your main site or blog (I’m trialling this on Insta too).

If you have a blog too, I would do whichever of the above applies AND place a sign up form and newsletter blurb, or a link to your newsletter sign up page at the bottom of each blog. That way, people interested enough in reading your blogs get the chance to sign up for more content.

Do I Need a Separate Landing Page for my Newsletter? If you’re using Story Origin or other external newsletter promoters, they may have landing pages for you to use for their set up. But for your set up, why give providers page visits from your social media, when your site could get those visits, and people could browse your site instead? (Making everything involve as few clicks as possible is also an effective SEO strategy).

What Should Your Newsletter Blurb and or Sign Up Say and Look Like?

I suggest creating a newsletter header. You’ll see mine in my site’s sidebar and footer. Every newsletter blurb I’ve read says at least ‘sign up for updates.’ That doesn’t tell potential subscribers anything specific or let them know what value they personally will get from your newsletter. So whatever else your blurb says, I’d at least tell people about the reader magnet they get for signing up, including audience age, genre and perhaps a one line blurb. For example my sign up page initially said:

Get the short story Urmillian: Rebellion is due and accompany me on my Fiction Frolics via personal updates, behind the scenes snippets, author interviews and blogs every two months.

For a visual of all the above, visit my sign up page.

Privacy Policy

If you can, include a link to your privacy policy where you place newsletter sign up forms on your site. Potential subscribers are the most relevant audience for your site’s privacy policy, so make it easy for them to find.

Green, purple, pink and peach magic shield backdrop behind text: For blog updates (SFF, neurodivergent/ queer/ chronic illness life, writer and authoring), see my author newsletter.
Newsletter Resources & Related Reading

Interested in a space to discuss newsletters, author platforms and book marketing with other authors? Let me know by replying to my posts on Blue Sky on Mastodon, or via my contact page and I’ll send you an invite link to my Indie Author Discord.

Unpublished Author Newsletters by Emma Lombard.

Newsletter Ninja (book), by Tammi L. Labrecque.

Story Origin and Book Funnel are popular for gaining newsletter subscribers.

For Social Media: Social Media for Writers
For my favourite: Bsky Social Guide

For blogging & site tips: Author Website Set Up Tips.

For Indie Authoring: Becoming an Indie Author part 1, and 2 –book launch.

Author Website Tips

Deciding what to put on your author website can seem daunting, especially if you publish it before your first book. But your author bio and writing samples can go on your site, and you can start blogging at any time. I’ll suggest site content, and give tips on carefully selecting your theme in this post. I’ll also recommend plugins for WordPress (sorry, I don’t do Wix or Squarespace, though I hear good things). Ultimately, I’ll share what I’ve learnt tweaking my site and blog over the past ten months (yes, as an unpublished author!), to help you hit the ground running with yours.

What Should I Put On My Site?

Author Bio

Your bio ought to be written in third person, so other people can copy and paste it into author interviews you give. You might like to include things like places you’ve lived, your education, life events etc, but I’d also try and inject some personality and personal interests too. Your bio may be the place where potential readers, writer colleagues or potential agents and publishers get their first feel for who you are. For an example of showing personality and humour, I offer my bio. (I’ll use the short ‘about me’ paragraph on my home page for interviews, as my About page bio is too long).

I suggest accompanying your bio with your standard author profile photo (the one you use for social media and sites like Goodreads), so you’re instantly recognisable to anyone who’s interacted with you online. If your bio is on a separate page, you may like to share other photos too and give more details for people to get to know you better.

Your Writing

This could be book adds, descriptions of your works in progress, sample chapters, your poetry or short stories. You may want a Works in Progress page, and or a page for each short story, and or a page for poetry. In choosing writing samples, I’d consider how well each showcases your writing, your main genre and themes, and your writing style to potential readers. I’d also consider: are you displaying shorts which are prequels to your novels, aimed at building a readership? Are your book teasers from works in progress, aiming to generate reader interest, or upcoming release blurbs aiming to entice potential readers to preorder? (Strong, polished book pitches being more crucial for the latter, though I recommend seeking critical feedback for both, to overcome any author bias blind spots which may trip up potential readers).

What if I have multiple writing styles, genres and or audience ages?

That’s when you might want to consider a pen name for some books, and a separate author site for your pen name, especially if you write unrelated genres, or themes appropriate for different age groups, like erotica and children’s fiction.

Character Art

Portrait of young Heir Ruarnon, their hair braided back, eyes outlined with kohl, wearing fitted bronze armour, a bronze disc kilt, holding a helmet in their left hand and leaning on a spear with their right.
My MC, Prince Ruarnon, by Glint of Mischief.

Images are a great way to capture people’s imaginations, and a unique way to indicate the atmosphere and mood of your writing. You may like to commission a portrait of your MC to generate interest about your book and to illustrate the book blurb section on your site (and share on social media or in your newsletter), and yes, that’s what I did on my works in progress page (which is now my books page).

Alternately, you can find high quality photos on unsplash.com and some great public domain , to format into a mood board or graphic to illustrate your book blurb. I prefer Unsplash, because it lets you credit photographers for their work. Remember to use alt text, so vision impaired visitors know what images show (more on this in Image Accessibility below).

Newsletter Sign Up

I highly recommend a newsletter, especially if you plan to self publish, and especially as Twitter is spectacularly demonstrating the volatility of social media. My next post focuses on newsletters, so all I’ll say here is make your sign up form is prominent on your site and tell people what they get for signing up, eg. a short story.

Blog

A blog is a great way to attract potential readers to your website. Whether you blog monthly, fortnightly, weekly or are a super-human who blogs more often, every post is an opportunity to drive traffic to your site. Writing a number of quality blogs encourages people to spend time exploring your site, and to revisit it. If you’re lucky, that may lead them to sign up to your newsletter, to get your content in their inbox.

Privacy Policy

If people can comment on your site, log into it or sign up to your newsletter, if you use Google Analytics or other data collection like cookies, you need a privacy policy. Handily, Wix and WordPress both have policy templates you can use, and or adapt. If your site uses cookies, you’ll also need a cookie banner to inform visitors of this. I use Complianz.

SEO

To get your website showing up in Google search results, complete this (free) Attracta site map form. This alone created a steady increase in the number of visits my site and blog posts received.

Yes analytics can help with SEO, but as a layperson I find Google Analytics has far too many options and too much information, which I lack the time and intuition to utilise. I just read its monthly reports. So shop around!

Dotstore Plugins (my page counter), told me 3/4 of my website visits were via Twitter (I no longer have an account there). It also displays a graph of daily page and blog visits, for a week at a time. It suggested that (as I rarely tweet my blog), most people visited via links on my Twitter profile page, or in my Twitter bio. So put your site link in your social media bio!

Choosing A Theme

I suggest experimenting with different themes to see what appeals to you, but also consider…

Display & Visual Accessibility

Does my theme display page menus and social media clearly, in an easy to see space? Is site navigation easy?

Colour Scheme

When choosing colours, try to be as conscious of making your site visually accessible as you are about designing it to your personal taste. Ensure there is enough contrast between text colour and background colour for text to be easy to read. Be wary of big slabs of text on a white background, with no images, colour or sub-headings to break it up, which could bore some visitors and be a visual impairment access issue to others. (If you’re curious, this site’s theme was Katha (on WordPress), which many people have said they find clean and easy to read.)

Style, Genre and Audience Age

If you’re writing a dark and haunting Horror, you’re probably after a theme with dark colours, and images which evoke the mood and feel of your stories. If you’re writing children’s fiction, you may gravitate towards bright colours and lots of pictures. I suggest neutral colours, as opposed to glaringly bright tones of each colour and not too many pictures, which may overstimulate neurodiverse visitors.

For any genre and audience age, consider whether the tone, atmosphere and mood of images on your Home and other pages evoke your books style. Creating a site which feels like an ‘experience’ is another way to generate interest, so if that interests you, I’d have fun experimenting with it.

Themes With Images

Themes with background images can be great for giving your site a genre-related feel, especially if the background image you choose displays off-world art for SFF. I suggest choosing a theme with side borders of that image/ art, and a single colour background for the middle, over which text is displayed clearly, so it has a genre vibe, but isn’t visual stimulation overload/ inaccessible. A header image with a fantasy feel also sets the mood (images on mine being from the front cover’s of my debut Manipulator’s War, and my second novel, Secrets of the Sorcery War.)

Text: Elise Carlson, A fantasy author's adventures in fiction and life.Torch lit battlements on a dark night, beside a sailing ship sailing on bright blue waters between sunlit cliffs.
Cover art by Glint of Mischief.)

Image Accessibility

Visitors with visual impairments may depend on digital readers, which cannot read print formatted onto images, eg. promo images you’ve overlaid with text on Canva. So I’d make text on images on your site accessible by putting text in alt text too. Also say what the image is in alt text (unless its purely decorative).

Consistency

Whatever your colour, art and font choices: make them consistent across your pages and your blog. Try to have your own style of promo images, with similar colours and backgrounds. This also gives your site its own distinct feel, and will make it easier on people navigating across pages of your site, by not requiring them to adjust to different colour schemes before they can read and access each page. A great example of this is emmalombard.com (Historical Fiction author site).

Does my theme have a banner? + Site Icons & Logos

A banner is an easy way to put images of yourself (your brand) and your book covers on each page. It can help people visually associate your site’s content with you and says clearly, “I have books to sell!” NB: If you’ve got a series, give pride-of-visibility-place to book one’s cover in your banner (the gateway book ?) and maybe a few others, but try not to overwhelm us with too many covers.

If, like me, you don’t have books out yet or coming soon, you may wish to make your site logo and browser icon (as displayed in the browser tab) your face. My goal there is enabling people to visually associate my site’s content with me. You could use an author logo, but I find them forgettable and faces memorable, so I prefer faces.

Social Media Links

Ideally, you want a theme which displays social media icons linking to your socials clearly, at the top and or bottom of your pages. As my theme displays them below comments, and the footer, I use Ultimate Social Media Icons to display ‘follow me’ buttons (the ones below) in my side bar menu, where they’re more likely to be seen.

Does my theme have a sidebar?

If your site has multiple pages and or you’re blogging, I’d pick a theme with a sidebar to display ‘Follow Me On Social Media’ buttons and a ‘Sign Up To My Newsletter’ form. I also recommend displaying a category menu for blog posts, and assigning your blogs to categories. That way, visitors can identify posts which interest them, as opposed to your latest posts, or archives listed by month and giving readers no clue what they’re about.

Blog

What Do I blog About?

Not everything under the sun. As with books, you’re trying to build a regular readership on your blog. Ideally, your blog readership and book readership will be the same. So when thinking what to blog, ask yourself, ‘what might readers of my books be interested in reading?’ (Side note, yes, this blog is writer advice and I write YA Fantasy, not non-fiction. For now, this blog is me sharing what I’ve learnt, not trying to appeal to potential readers of my books).

Which blog topics are relevant to your books audience? I write YA and I identified as nonbinary soon after starting this site, so I’ve blogged about gender identity, something young people may question, relevant to the coming of age stories I write, and something I’d hope people who buy books for young people would want to support them with. If you’re unclear what your equivalent of this is, consider themes and ideas your books explore, and your experiences with those things, or thoughts you’re willing to share about them.

On another track, a blog is a much more extensive space than a bio for potential readers to get to know you, your books etc. If you’re unsure how to utilise it or if you’d enjoy jamming time to blog into your busy schedule, take a look at 100 Blog Ideas for Unpublished Authors by @mixtusmedia (which is excellent), then see how you feel.

Blog Links On Your Site

Every blog post can draw potential site visitors, and linking your blogs can encourage them to stick around. If your current post touches on topics you’ve already blogged about, mention and link your old posts where relevant, and or end your current blog with related links (yours or other people’s articles, which help with SEO).

Your theme may display other posts, but not make related posts visible. My WordPress theme links only to ‘previous’ and next ‘posts’ at the end of each blog, so I installed a plugin (Shareaholic), which displays eight of my blogs below every post. (Adds NB: Shareaholic also lets you opt in (or out) of displaying adds in this panel. I like this option because it contains adds at the end of your posts, where they neither impersonate paragraphs of your blog posts, nor obscure them with a pop up).

Blog Tags

These do make a difference. I suggest choosing them by selecting key words from your blog posts, entering them in Google, and seeing which of the most popularly searched phrases in Google are most relevant to your blog, and using them as tags. Also, check if key words you associate with your post mostly turn up similar content before using them as tags. I considered ‘querying’, but on Google that turned up results for every type of human enquiry, so I experimented till my search terms turned up agent and publishing related results.

Blog Titles

9 Tips for the First 5 Pages was my first popular blog. I think that’s a combination of a topic many fiction writers want advice on, and a title which aligns with Google search terms. So when seeking popular search phrases for blog tags, consider using one as your blog title, if its relevant and specific enough. Also, keep your title short. I generally find anything longer than five words gets less hits for each word I add. Browsing in incognito mode to see popular search results and integrating them into your title may help. If you get few hits over a few months, keep tinkering with the title.

Install Social Media Sharing buttons

Social Warfare is my top pick. It’s style suits my theme (its the floating social bar) and the paid version lets me determine the text and images which display when people share my links on Facebook, Twitter and Pinterest (no, I’m not an affiliate getting paid to say that). I also tried Shareaholic’s share buttons, which displayed photo credit text and some Google Analytics code before the first line of my blog posts on FB and looked awful. And Ultimate Social Media, whose floating share buttons had a time delay, obscuring paragraphs as I scrolled.

Blogs and Pinterest

Images on my site cannot be pinned to Pinterest, which is popular with certain demographics. The easiest fix if you have this issue, is to create a pin for your blog on Pinterest (including a link to your blog in the pin), then use this Pinterest widget builder to create short code and paste the code into a short code block in your post. That displays the blog’s pin in the blog, so site visitors can pin it.

Share Links in Your Newsletter

Sharing your latest or popular blogs in your newsletter is a great way to recycle content you’ve invested time and effort in. It also gives people who appreciate your blog an easy means of staying in touch, at their leisure.

WordPress Recommendations

Recommended Plugins

If you want like buttons, page counters, social media share buttons (and any other plugins I’ve mentioned above), on WordPress, you’ll have to be manually install them. (If you don’t know how, see this guide from WP beginner, or search for WordPress plugin instructions from your web host.) I suggest installing these plugins as soon as you publish your blog, so your like, visit and share counts (technical issues notwithstanding) accurately reflect your blog’s popularity.

I use

Ultimate Social Media Icons to display ‘follow me’ buttons in my side bar menu (using their short code). [2026 update: I know use the manual WordPress social media function, as that includes Goodreads and Bsky, as you can see in my sidebar.]

-Dotstore’s Page Visit Counter

Shareaholic to display photos and titles of my blog below each post (I don’t use their social media buttons). [2026: I forget if I turned it off but it’s not there anymore.]

Optin Forms for my sidebar Newsletter Sign Up Form. [2026: Now I use a graphic of my newsletter and link to that page where the reader magnet’s blurb and cover are displayed instead. As that’s the way people have actually signed up.]

Yoast for SEO optimisation and readability basic analysis and recommendations per site page and blog.

And Complianz to scan my site to produce and display a relevant Cookie banner.

Green, purple, pink and peach magic shield backdrop behind text: For blog updates (SFF, neurodivergent/ queer/ chronic illness life, writer and authoring), see my author newsletter.

Further Reading

Interested in a space to discuss author websites, newsletters, platforms and book marketing with other authors?
Let me know by let me know by replying to my posts on Blue Sky on Mastodon, or via my contact page and I’ll send you an invite to my Writing or Indie Author Discord.

For blog post ideas, see 100 Blog Ideas for Unpublished Authors by @mixtusmedia.

For tips on Growing Your BlogTips to Make Readers Continue Reading, 3 More Blog Tips & Being a Guest Blogger see Marc Guberti (a marketing prodigy’s) blog.

For getting started on writer/author social media, see my Social Media For Writers post. For Blue Sky, see my Blue Sky Newby Guide.

For getting started as an indie author, see Becoming an indie Author Part 1, and Becoming an Indie Author, Book Launch.

© 2026 Elise Carlson

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