A Fantasy Author's Adventures in Fiction & Life

Tag: author decisions

Congratulations, you’re an indie author with your first book out! What next? Most likely your first book is #1 of a series, and you need to write, edit and publish #2. Gurus say we should also be writing and somehow promoting a newsletter. We may elect (as I do) to write a blog, or run a podcast or a Youtube channel). And almost everyone seems to think social media presence is important. And if all that doesn’t sound like a full time job, there’s the non-writing job we do (full or part time) to pay bills and put a roof over our heads.

So how do you find the time and energy to do it all? Especially if, like me, you’re chronically ill, and or neurodiverse? In this post I’ll unpack time management factors to consider, outline my own attempts at breaking down and making marketing manageable, and conclude with resource links to help with actual marketing at the end.

There are those people who say: just do a little each day, like writing 500 words. Its not much time or work in that day. And over not too many weeks/ months you’ll have a novel/ established newsletter/ paid advertising campaign!

A big factor here seems to be that when’s life’s busy, its easy to say, ‘I won’t do it today because x,’ and ‘not tomorrow because y’. There’s a risk of not setting aside time to write/ market books and therefore not starting (as I well know, having not spent 9 months of 2023 marketing due to life and earning a living).

If you’re looking for a way to jam marketing into a daily/ weekly schedule under strain, that ‘short amount of time a day’ model may appeal. But personally, I have one main objection.

Some of us have a disability. Maybe marketing is ‘just’ an extra 20 mins in my day and that’s not much. But my back hurts and gravity is trying to pull me into the ground. My Fibro is DONE with today. It needs that 20 mins (and the next three hours), and same time the next day/ week/ month to recover from the rest of the day. I don’t control what I do on day’s I’m at my day job. My body makes that call and woe is me if I ignore and defy early warnings of increasing fatigue, and or signs my chronic pain is about to flare.

Maybe it takes you time and effort to get your brain out of work/ parenting/ other mode, to tune into something book/ marketing related (especially if you have ADHD). By the time you’ve spent ten minutes (or for ADHD three hours to days/ weeks/ months) trying to engage your brain on The Thing, you want/ need a solid block of time on that task. The first hour ‘on The Thing’ is passed and you weren’t able to properly engage with, or even start The Thing yet.

I NEVER bother sitting down to write if I don’t have at least 1-2 hours. Otherwise I don’t remember who’s in the scene, where the scene is or what just happened, let alone what I’m writing now, or setting up to happen next. Marketing is similar. I want AT LEAST an hour to draft that newsletter/ blog/ design that ad graphic/ series of upcoming book teasers.

The ONLY ‘book marketing’ thing I do in less than an hour is run late to a social media author chat (you’ll find those listed on my Bsky writer chat list). And while technically talking about your characters and plots online could ultimately result in someone reading one of your books, its mostly an activity I do for fun, and connection with fellow writers.

So before considering when in the day/ week/ month to schedule your marketing, I’d first consider your ability to focus, your stamina and what length of time blocks you need for marketing (or writing) to be focused AND productive. IF a little each or most days of the week works for you, of course go for it! If it doesn’t? Ideally, I’m finding ‘how often’ boils down to ‘often enough to remember what I’m trying to achieve and how,’ and often enough ‘to feel like I’m making progress.’

My blog could mean one afternoon a month editing the next blog, and penciling in ideas for the next few month’s blogs. Enough time to check I’ll have a blog ready to roll out at the same time this month, and enough ideas/ of a draft to have edited and published one next month. Ideally, some ideas and or drafts beyond that.

With that system in place, I’ve published one blog most months for nearly four years. This despite the time blindness and management barriers my undiagnosed, unmedicated ADHD posed for most of that period.

I spend probably one or two afternoons very second month drafting and editing newsletter content and inserting images. Usually, that’s now within a week of sending out a newsletter. Initially though, I always began the next letter before sending out this one, to have content ideas already ticking in advance.
Again, in this case that helped me have a newsletter ready to go every two months for the last three years (quarterly initially, which wasn’t frequent enough to engage people).

Writing/ editing the next book for me is more challenging than both of the above. As a distracted ADHDer, and autistic person who desires exploring story and character logic ALL THE WAY down the deepest rabbit hole, I love writing complex stories produced by whole days writing and editing. In my energetic twenties, Saturdays were rest from the new, challenging career of teaching, Sunday morning’s were reading to enhance my focus, and afternoons for writing. (Of course there were days my ADHD wouldn’t focus at all and I’d stare at a blank page or not even turn on my computer.)

When I was lucky enough to work only three hours a morning part time for a year (in 2018), I would come home from teaching literacy, read for an hour or two, then write for six to eight hours (going for an hour long run in the middle). Those days were brilliant for my undiagnosed, unmedicated ADHD. The teaching burnt off the restlessness I started every day bursting with. Reading when I got home calmed and focused my highly distractible brain. And I still had HOURS to focus and write. Than an hour to run off the resltessness and re-calm and re-focus my hyper, ADHD brain mid-write block.

First: pick ONE aspect of marketing to focus on. A social media account, a newsletter, a blog, seeking author interviews, getting your book up on all the platforms (details in Step 9 of this post) , or ONE type of paid ad campaign. As an who began social media with Facebook, Instagram AND Pinterest simultaneously, then mastered Twitter, I assure you its more effective to learn ONE platform/ aspect of marketing well first. THEN transfer your learning to a second a few months later. Otherwise its too easy to do multiple things with lack of clarity/ understanding, and thus ineffectively.

Once you’ve got your One focus, getting started is great, but the challenge (as everyone with ADHD knows), is sustaining your work. I find marketing hardest. Aside from individual blog posts/ podcasts/ youtube videos, its hard to break ‘book marketing’ into small, yet related, continuous tasks. Bookbub ads (the first paid option I experimented with) seemed big, and daunting and I put it off for probably over a year before trialling them.

Once you’ve picked your One Thing, consider how to break it into smaller parts, likely to fit the time you have daily/ weekly/ monthly for them. When I took a break from teaching early in 2023, that involved three week’s full time testing Bookbub ads for my first trilogy (massive fail. I spent money and lots of hours, but my designs were WAY too far off the mark to be potentially worth it). Here’s how, if I only had a few hours daily, as opposed to whole days, I’d break down learning Bookbub ads.

Read David Gaughran’s Bookbub ads book and browse sample Bookbub ads (like Top 10 Bookbub Ads of 2024), and take notes in the first few 1-2 hours slots, for a week (or two).

Spend the next few 1-2 hour slots designing my first ad images.

Spend the next few hour slots (over around two weeks) examining each individual aspect of design. I’d break these down into; font & font size, background, text & background contrast, how cluttered the image looks etc. Then I’d compare design elements of my ads to my notes on effective design from Step 1 and tweak accordingly.

Run a test ad, then spend slots over the next week comparing and contrasting the amount of clicks it got to previous ads. Then analyse which design elements/ or whether the target author likely influenced clicks positively or negatively. Repeat step 3 with ad test conclusions in mind.

By this point in my process a loop between step 3-4 involving redesign, reflection and re-evaluation could spread over as many sessions and weeks as needed to nail design. Or to conclude that would waste too much time and money (it did with my first book).

Indie Author Marketing & Time Management

Photo Credit: Aron Visuals

When you’ve had a go at breaking things into manageable parts, and in so doing developed a clearer idea of what exactly you want to achieve in which time; you can consider WHEN to do All The Things. In deciding that, these considerations helped me, and may help you plan your marketing schedule/ routine.

Realistically choose which authorly things you want to focus on in coming months. If you don’t have a website; DO THAT NOW. If you do, will you start a newsletter/ blog/ youtube presence? Build a particular social media platform/ your writer-author network? Or are you ready to consider promoting your book(s) on Amazon/ to a Wide audience? Or do you want to start local and look at public author events, or getting your paperbacks into a local bookshop?

If you’re unsure which of these Things to tackle next, or in what order to tackle Things plural, I go into detail, link resources and sequence The Things I’d aim to do before and soon after launching a book in this post.

  1. How often a day/ week/ month do you need to work on marketing to stay in touch with your goals and keep making progress? (Note: ‘progress’ can include identifying ways that do NOT work and your reflections on why. I still call on-the-job-learning ‘progress’, as knowledge puts you in a better position to achieve in future.)

What days/ times aren’t an option for you because of your day job? Because humans need sleep and or your kids need parents to raise them? What other comittments require how much of your time?

In blocking out non-writing time, please don’t forget to block out time to rest, recover, chill, smell roses, eat chocolate etc! In other words, don’t work yourself to death. Modern life is BUSY and we need BREAKS.

Having blocked out time for life and wellbeing purposes, what time do you have left and how often, across a week (or even month)?

For my teaching career, all work days are a no for anything authorly (except social media, which is more social for me). Teaching takes a lot out of me physically, emotionally and cognitively, so if I taught that day, the evening is for rest.

If like me, your disability, ADHD distraction, autistic overload (or other) determines when and how much you can get done, use a good day to record Thing you’re working on, parts you’ve broken it into and sequence them. Then, each time your body and mind co-operate and allow you to make progress, make a quick ‘where to next’ note. With that note, after however long it next takes for the stars to align for you to tackle The Thing again, you’ll know where you’re at.
(I’m so glad I wrote a May 2024 Author To Do List, because I spent May moving out, June moving in and life happened for 6 months, so its now my Jan-Feb 2025 To Do List.)

What’s your big focus for the next few months, or even the year?

With my website established (tips on that in this blog), Newsletter established (Newsletter tips here) and blog established, they all get a couple of hours a month.

Last year I intended to focus on trialing paid ads, but didn’t get to begin FB ads after my Bookbub ones bombed because moving house and setting up (a chronic illness, autistic and ADHD friendly) house took up the rest of the year.

For 2025, my big overall focus seems to be how to promote my books wide (ie. beyond Amazon). My First Thing may be setting up direct ebook sales on my website. Ideally, I’ll do paperback ones after that (which I know will be more complicated).

My Big Thing 2 may be exploring in-house promotions. I’d like to check that for Kobo via D2D and see if I can access Apple in-house promotions that way. I also want to experiment with Smashwords Sales (when they FINALLY merge my Smashwords and D2D accounts, which will put all 3 Ruarnon Trilogy books on ONE trilogy page. They’re currently spliced across two different series pages, for the SAME series).

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Becoming an Indie Author 1; Editing, Covers & Book Distributors

Becoming an Indie Author 2; Book Launch

Author Website Tips

Author Newsletters

Wide for the Win
An online author group dedicated to publishing and promoting books outside Amazon. (Originated on Facebook and is now thankfully on a different platform; Circle. Don’t worry, not the Tom Hank’s personality cult that duped Emma’s Watson’s character’s Circle 😉

More Author Platform & Marketing Resources (on my Writer Resources Page)

Most of my blogs about authoring are practical advice, save my my decision to self publish. I’m now at a stage of outlining thoughts on other big (in this case ethical dilemma) author decisions; which social media and advertising platforms to use as an author. This is not an advice blog and definitely not a ‘how to make money as an indie author blog’. It’s why I chose to leave Twitter, opt out of Kindle Unlimited and delete my Facebook Author Page. It may help you reflect on your choices and what’s right for you as an author/ reader/ person. (And maybe we can lament the demise, death and zombie status of Twitter together).

Amazon, Libraries & No Thanks Kindle Unlimited

When you’re an emerging Indie Author and readers don’t know you from Adam, entering your book in Amazon’s Kindle Select program (into Kindle Unlimited -KU) is very tempting. It has lots of readers, your book is discoverable and you will get some page reads (even if you don’t market much or aren’t very good at it). Conventional author wisdom seems to be that its a wise financial and discoverability move for a first time author. But my books are not in Kindle Select (despite that at the time of writing I’ve only published 2/3 of my debut trilogy).

Growing up, I was the child of a single parent. Money was tight. We got most of our books from the library. I like libraries. I like that they’ve always made access to books, digital resources, the internet, printing and apparently now recording studios, an equitable experience. So when I published my first book I wanted libraries to have access to print AND digital copies. But no library could have digital copies in their catalogue if my ebook was in Kindle Select (KU).

No matter what research I did, or advice I considered, for me it was the ethical point that got stuck in my head. I’m a full time teacher and can pay off a home loan on my own salary (which is great because I don’t have a partner and am not inclined to want one). I’m privileged enough not to depend on writing to earn a living. Which is awesome, because as a debut author breaking even financially is a challenge. So I’m in a financial position to stick to my ethical guns and make my ebooks available to libraries.

Non-Amazon Stores

Then there’s stores. I don’t like Amazon. When I got long covid, I got banned from having books available on pre-order on there for a year. That’s because Amazon’s highest priority is customer experience (read ‘profits’). Authors don’t matter to them. I’ve heard of authors having their accounts deleted, their books taken down (before I left Twitter, more on that below). It doesn’t have authors’ backs.

So I researched bookstores and looked at alternatives. I discovered (I’m Australian so neither of these is really a thing here) that Barnes & Noble have a reader subscription service (Nook) and Kobo has Kobo Plus, and unlike Kindle Select (KU), neither of those subscription services is exclusive. So you can have your ebook on Nook, and Kobo Plus AND in libraries.

And there are so many other (non-exclusive) ebook subscription services online (Scribed & Hoopla for example). Sure, these services don’t make your book as visible as Kindle Unlimited, but they have less books for yours to get lost competing among, so I figured why not?

Cover of fantasy book Manipulator's War, purchase icons for ebook: Kindle, Apple, Nook, Kobo, Booktopia, Scribd, Vivlio, Smashwords, Indigo, S24, Thalia, Bucher De, Angus & Robertson.Paperback purchase icons: Barnes & noble, Waterstones, Booktopia, Angus & Robertson, Bucher De.

The above isn’t all the digital stores my first book is on, its just the main ones. If I was in Kindle Unlimited, you’d only see the first two ebook icons. That’s quite a few stores of difference.

Eggs in One Basket

I also don’t like a ‘put all your eggs in one basket approach’. Not just in terms of one basket, but also an American and far from global basket. Of the icons above, the blue icon is a French store. 24S is a Spanish owned subscription service. Thalia and Bucher De are German, and the green Rakuten Kobo is Booktopia, Australia’s biggest online bookstore. Not everyone will choose to buy from an American company when they can support stores in their own country and not everyone is fond of Amazon.

But the biggest problem of putting all your eggs in one baskets is it leaves me vulnerable, should the basket break. Which leads me to Twitter.

Goodbye Twitter, Hello Mastodon & Blue Sky

Perhaps a pressing author ethical dilemma for many authors of late has been the demise of Twitter. Twitter’s #WritingCommunity was my first social media home as a writer. Privately I was on Facebook (which I’ve never liked). On Twitter I found a space to network with, befriend, learn from and help my fellow writers. It grew beyond that. When I identified as both queer and neurodiverse, I saw great overlap between the writing community and those communities.

Twitter was a space where I could listen to voices I’d never heard before. Among them were, black people in America, BIPOC the world over, people with chronic illness, mental illness, neurodiverse and gender diverse people. It was a fabulous space for both professional growth as an author and personal growth as a person. Then Musk bought it.

True, algorithms always made your visibility and how easy it was to find friends on your feed variable. But Musk’s take over mostly made me feel more invisible than ever and made a concerted attempt to banish familiar faces from my feed. Familiar faces and good friends started leaving or stopped tweeting. The TERFs, transphobes, Trump supporters, and raging anti-science tribes started sounding louder. Twitter seemed to be competing with Truth Social to become the leading social media hate space.

Time To Go

I thought it would be transphobia and homophobia that drove me off Twitter. I’m the kind of person whose inclined to tell people where they can stick their shitty opinions. And I didn’t want to go on Twitter to be outraged or get angry or to argue. But that wasn’t the final straw.

A tweet about who was profiting from every fifth tweet (now a paid ad tweet) on our feeds stopped me tweeting. Fund the alt right? Fuck that! Sure, you can get an ad filter (which I did -and it helps a lot as someone with ADHD and visual sensory issues). But as Twitter became more like what I imagine Parlour or Truth Social stands for? I didn’t want to be associated with that place or its owner.

Hate Site

Since then and before publishing this blog @GasTheJews was revealed to be an entirely acceptable Twitter handle, when it was reported for hate speech multiple times, and Twitter claimed it wasn’t breaking any of their rules. Because did you know it isn’t hate speech if its in your Twitter handle instead of a tweet?

Text from tweet by Elliot Malin: Account @gasthejews6969 has not broken @X's safety procedures because 'gas the Jews' notably is not 'threatening violence against someone or a group of people' and definitely isn't 'celebrating or praising violence' whatsoeverAnd @ElonMusk wonders why advertisers left.Screenshot of Twitter's reply to a reported account: Hello, After reviewing the availible information, we want to let you know gasthejews6969 hasn't broken our safety policies.

The Kid’s Aren’t Safe

Then came the move (nearly two months after I ceased using my account), which persuaded me to delete it, cutting off multiple friends I don’t see on any other platform. My country’s Esafety Commissioner concluded that Twitter doesn’t have even the most basic child safety measures in place, to prevent not only child abuse but also child sexual abuse from occurring on it, and our Esafety Commissioner fined them accordingly.

Australian's ESafety commission fines Elon Musk's X $610,500 for failing to meet anti-child-abuse standards

Worried its only a matter of time before child abuse material is circulated on Twitter (if it isn’t happening already), and disgusted that every type of marginalised adult AND children don’t matter enough to Twitter (or its reputation) for them to even pretend to be doing anything to ensure user safety on the site, I deleted my account.

The Dilmena

How is Twitter being a hate site a dilemma? People seem to be staying because they personally aren’t attacked or aren’t witnessing marginalised people being attacked. People seem to be making decisions based on their personal user experience. And or indies are reluctant to give up sales from the site, when many of us indies struggle to even pay the costs of our business with our earnings, let alone MAKE any money (my cover art and editing costs are several thousand dollars more than I’ve earned so far as an indie author).

As for me, I had ten thousand followers on Twitter. I’d welcomed newbies, done threads to connect writers. I made lists, and gave extensive feedback on pitch party pitches over two years (and wrote this blog on writing a good one, still my most popular post.) That was my community. I had good friends on that platform who weren’t anywhere else, and dm groups -writer, author, queer and ND support groups that as a group didn’t want to move. Leaving meant losing my community and my platform as a budding indie author.

What’s an Author’s Place?

There was an interesting prompt for October on Mastodon: should writers post about politics or avoid it to avoid controversy? Should we publicly interact as if we are part of the world, or act like Ents, tending our books? Predictably, people who thought politics wasn’t an author’s place were white, cishet, neurotypical, able-bodied authors oblivious to their own privilege. They didn’t seem to notice that for others, eg. First Nations, Black, Asian, Queer, Neurodiverse, Chronically Ill, or Disabled people -existing IS political. (I’ll be blogging about writing diverse casts in Jan 2024 ????).

To me, a nonbinary, a-romantic, asexual, neurodiverse, chronically ill white person living in a cishet, ableist world, ‘should writers speak publicly about politics’ translates as, ‘should writers shut up and put up?’ My answer is ‘no and did I mention fuck no?’ I agree with writers who said they are part of this world, impacted by it and am writing my identities into a world that barely knows we exist and or doesn’t understand and or accept us.

My Place

As part of this world, how could I tacitly support for example, the idea that @GasTheJews as a Twitter handle is acceptable, by retaining my Twitter account or using the platform? If you think I’m going too far in saying that not deleting your account is publicly signalling support of Musk and all he and his bootlickers stand for, I’d refer you to Mene Wyatt, who said, “Silence is violence. Complacency is complicit.” (Source, a powerful monalog on the Australian Aboriginal experience, worth watching).

I’d also point to the blog one of a nazis who greeted Posie Parker (a UK TERF) on the step’s of my state’s parliament house with a nazi salute. In his blog, he referred to most people as ‘normies’ and presumed he and his neo-nazis were acting on behalf of ‘normies’. People like him can’t claim shit like that if you publicly signal that you DON’T support them and they DON’T speak for you.

So I see removing all association with Twitter as a way of making my disapproval of Musk and everyone and their hatreds he shelters and promotes undeniably clear. Do I value that over money and even friendships? Yes.

Mastodon

So where does a writer, author, and a queer, neurodiverse person seeking all of those communities go? Mastodon had the greatest appeal. It’s similar in terms of functionality. The main difference is the whole platform isn’t the plaything of a single dick who can screw it up any which way every time he throws a temper tantrum. Or persecute minority groups wholesale because he’s angry at one individual in his personal life, who happens to be marginalised in a particular way.

Each Mastodon instance has a different admin. Hashtags can display toots on hashtag feeds that bridge instances (#WordWeavers and #WritersCoffeeClub being my favourites). And the Fediverse has toots from every instance your instance hasn’t blocked. This means Mastodon can’t be destroyed by a single white man who scores zero points on the diversity scale and doesn’t give a shit about marginalised people. I also like that there’s no advertising or algorithms, just humans interacting, as opposed to glaring ethical concerns.

Blue Sky

The issue with your single greatest social platform turning to shite is that the communities and contacts you’ve made there aren’t all migrating to the same place. They’re scattering to the winds. Spoutible and Post as well as Mastodon and Blue Sky and I don’t know where else. But writers in the DM groups I was in (DMs being about the only reliable space on Twitter to talk to people I knew at this stage) seemed keen on Blue Sky. Created by the man who created Twitter, also without algorithms or paid ads (yet) and most importantly, not controlled by Musk or Zukerburg or other bastards, as ethics would define them. (For more about Blue Sky, see my Blue Sky Newby Guide.)

The above is how I traded my largest social media account of 10,600 followers to 100 (and slowly counting) on Mastodon and 500 (also climbing) on Blue Sky. Not a decision you make to get publicity for yourself or your books. Not a smart financial decision, at this time. But why stay on a poisoned, sinking ship where decent people are leaving (or hiding in dms), when I could build a small community on platforms far better aligned with my values? Not to mention where people like me can interact publicly and safely, without constantly blocking those who hate us for not being cishet/ neurotypical/ able bodied or in other people’s cases: white?

Goodbye Facebook Page!

Before Musk blew up Twitter, Zukerberg was the bad name in social media. I cracked it at Facebook, (at the height of the Pandemic in 2020) when without warning they blocked Australian community groups (including emergency service warnings that literally save lives), without warning. (We passed some law, I think around journalism, that pissed Facebook off). So I closed the writer Facebook groups I’d made (I’d liked having publicly discoverable groups for writers) and moved them to Discord (all four are described here.)

Facebook rebranded as Meta, but I’d never liked the platform (I find it primitive now, especially the limited functionality and clunkiness of Facebook Groups compared to Discord) and I hated it for its lack of ethics. Yet all the indie author advice seems to recommend that if you want to minimise time wasted on social media and make more time to actually write books; at least have a Facebook Page. In fact, you can’t run ads on Facebook (or Instagram) without one. So de-activating yours is directly a financial and business decision.

But I deactivated mine. I hate the platform. It doesn’t have a great demographic for my books anyway (that demographic being educated, lefty/ liberal minded, teen to forty-ish or young at heart allies or queer folk -Mastodon/ Blue Sky seem most likely for them). I could still advertise on Amazon (yeah, that doesn’t appeal either -again, ethics, eggs, one basket- no thank you.) But having just a Facebook Profile (for over 50’s in my family and the few Gen Y people who actually post there) and inviting anyone wanting to follow me as an author also keeps my writing Facebook private from students. And technically I’m still on ‘the world’s biggest social media’. It’ll do.

Can You Be Ethical & Still Make Money Writing?

Now I’ve abandoned my biggest social media platform, deactivated my Facebook Page and not put my books in the easiest place for the biggest number of readers to find, read and review them, how do I make money as an author?

You may sell the occasional book directly via social media, but I’ve been watching this for over a year. It seems you either push hard with ‘buy my book posts’ that I feel must annoy people, or you sell to friends via conversations, small scale. Its seemed to me for quite some time (and yes, the authority on making money as an Indie Author, the Facebook Group 20BooksTo50K agrees), that you make money selling books by spending money, mostly on advertising, though in-person events like conferences can be great too.

There is one big advertising option I’ll consider ethically: Bookbub. Their features cost hundreds, but are well worth it. You have to apply and they’re hard to get. But like Facebook and Amazon, they also have ordinary paid ads, which I plan to start experimenting with. And their adds reach readers who purchase from many stores, in many countries, which I also like.

What About Community?

Having left the platform my online communities were on, I’m rebuilding, a little on prompt hashtags on Mastodon, a lot on Blue Sky and on my Discord servers. I’ve just created a Discord for Queer, and or Neurodiverse, and or Chronically Ill and otherwise Disabled Writers, which is getting as much interest on Blue Sky as my writing, and indie authoring Discords once got on Twitter. (More about my discords for writers here). I’m making new friends, staying in touch with the few old ones still on platforms I use, and rebuilding my writerly, queer and disability communities.

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Related Reading

Getting started on Blue Sky Guide

Why I Chose to Self Publish

Writing Diverse Characters (coming Jan 2024)

Becoming an Indie Author (practical advice from ground zero)

Becoming an Indie Author part 2 (Book Launch)

Text: Manipulator's War (book cover)
Image: red glyphs outline a stone archway, through which fire arrows rain down on torch-lit battlements atop a castle, at night time. Spears in the foreground indicate an advancing invading army.Text: Secrets of the Sorcery War (book cover)
Blue glyphs in a stone arch frame a pair of tall cliffs, a ship sailing on bright blue water through the gap, into the sunshine of a natural harbour.Rebellion is Due Cover: portrait of young Urmilian, his hair braided back, eyes outlined with kohl, wearing fitted bronze armour, a bronze disc kilt, holding a helmet in their left hand and leaning on a spear with his right, a quiver of arrows at their hip.

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