Many writers who joined Twitter after Emma Lombard (in my case in 2019), have learnt a lot from her. Not just about how to Twitter as a writer, but also from her blog posts and the example she’s set in areas like developing your author platform as an unpublished author. But Emma is no longer unpublished. I’m excited to say that her debut novel, historical fiction Discerning Grace (book 1) is out now, and to be posting this interview with Emma about it.
What lies beyond querying, should we be fortunate enough to have a literary agent offer us representation? In this interview, Halla Williams describes how she came to write the #Pitmad pitch which in March 2020 led to signing with her literary agent, and what signing and the early stages of working with her agent have been like, over the course of a year like few others.
If you’re querying, you’re most likely hoping to snag a literary agent. But what about the other option -Small Presses? If you consider signing with one, how will you know you’ve found the right one for this particular project, or for you as an author? And what is signing and working with a Small Press like? In these interviews, I talk to Nikky Lee, C.G. Volgars and Alexandra Beaumont about their experience of querying, identifying the right Indie Publisher, and the early stages of working with their publisher.
Social media is an ideal space to think about how you present and to begin interacting publicly as a writer. Twitter and Instagram have thriving Writing Communities, where you can find your tribe. A Facebook page (or Instagram) are great spaces to share your writing life and books with personal contacts, while any of these plus Pinterest, Youtube and others are potential spaces to reach readers and promote your published works. So which social media is most appropriate to you as a writer, which account is best to start with and how do you get started?
As a member of a querying writers group, I’ve watched writers wait 6 months to receive full manuscript rejections, or go months without receiving so much as a form rejection for queries. I’ve learned a lot about having realistic expectations and how to tackle the querying process. In this post, I interview some of those writers, with the aim of giving newly querying writers insights into what to expect on your journey, and advice. And to give those of you already on your querying journey a chance to reflect and possibly tweak your approach to querying.
I know of ten parties on twitter to pitch your novel to literary agents and three author mentoring programs, throughout the year. In this post you’ll find links to every pitch party website, a twitter mentoring event, and parties listed by calendar month.
Like many writers, one of the things I loved about joining Twitter’s #WritingCommunity was the opportunity to discuss the craft and to learn with and from other writers. But as I followed more writers, questions about the business of writing and being an author became difficult to find on my feed. So #StrictlyWriting was born.
With thousands of pitches set to pour through Twitter’s #Pitmad feed for literary agent and indie publisher perusal on Thursday, its time to tell you everything I know about crafting a quality pitch (illustrated with tweet pitch examples, though advice here also applies to query letter pitches). I’ll also give you advice on preparing for pitch party days, which can be chaotic, stressful and discouraging if you participate on your own.
Hashtags boost tweet and post impressions, and on Twitter and Instagram alike, they can help you connect with writers in the #WritingCommunity, and with readers. There are specific hashtags for writing stages, genres, types of writers, promoting books and more. I’ve categorised hashtags by type and purpose to boost your visibility and help you find whatever you’re seeking in Twitter and Instagram’s Writing Communities.