If you’re new to querying, there’s a general structure for query letters, but there are also specifics about which literary agents may have differing personal preferences. In this post, I draw on what I’ve learnt from giving feedback on an estimated thirty queries, and reading a similar number of successful ones, to provide structure and advice on specifics (with tips on how to identify literary agent preferences 😉.)
As a member of a querying writers group, I’ve watched writers wait 6 months to receive full manuscript rejections, or go months without receiving so much as a form rejection for queries. I’ve learned a lot about having realistic expectations and how to tackle the querying process. In this post, I interview some of those writers, with the aim of giving newly querying writers insights into what to expect on your journey, and advice. And to give those of you already on your querying journey a chance to reflect and possibly tweak your approach to querying.
I know of ten parties on twitter to pitch your novel to literary agents and three author mentoring programs, throughout the year. In this post you’ll find links to every pitch party website, a twitter mentoring event, and parties listed by calendar month.
With thousands of pitches set to pour through Twitter’s #Pitmad feed for literary agent and indie publisher perusal on Thursday, its time to tell you everything I know about crafting a quality pitch (illustrated with tweet pitch examples, though advice here also applies to query letter pitches). I’ll also give you advice on preparing for pitch party days, which can be chaotic, stressful and discouraging if you participate on your own.