Many writers who joined Twitter after Emma Lombard (in my case in 2019), have learnt a lot from her. Not just about how to Twitter as a writer, but also from her blog posts and the example she’s set in areas like developing your author platform as an unpublished author. But Emma is no longer unpublished. I’m excited to say that her debut novel, historical fiction Discerning Grace (book 1) is out now, and to be posting this interview with Emma about it.
What lies beyond querying, should we be fortunate enough to have a literary agent offer us representation? In this interview, Halla Williams describes how she came to write the #Pitmad pitch which in March 2020 led to signing with her literary agent, and what signing and the early stages of working with her agent have been like, over the course of a year like few others.
If you’re querying, you’re most likely hoping to snag a literary agent. But what about the other option -Small Presses? If you consider signing with one, how will you know you’ve found the right one for this particular project, or for you as an author? And what is signing and working with a Small Press like? In these interviews, I talk to Nikky Lee, C.G. Volgars and Alexandra Beaumont about their experience of querying, identifying the right Indie Publisher, and the early stages of working with their publisher.
As a member of a querying writers group, I’ve watched writers wait 6 months to receive full manuscript rejections, or go months without receiving so much as a form rejection for queries. I’ve learned a lot about having realistic expectations and how to tackle the querying process. In this post, I interview some of those writers, with the aim of giving newly querying writers insights into what to expect on your journey, and advice. And to give those of you already on your querying journey a chance to reflect and possibly tweak your approach to querying.